Responding to Climate change isn't an option. It is an obligation.
Read MoreA useful extension to one of the smallest Solarity leaf designs
Read MoreLearn to distinguish the words people use to cover their climate insincerity.
Read MoreAn extension we designed in 2016 is nearing completion by its fastidious owner/builder.
Read MoreAugust 2021 - Conservation Officer's Report supports Solarity design
Read MoreClimate Central maps show how rising sea levels will affect the UK within 30 years. The government doesn't want to know, and it doesn't want YOU to know either.
Read MoreThese are sketches for small timber bedroom-sized pods. They are the response to a client brief that asked for the bedrooms of a house to be scattered through a sloped woodland, and for there to be minimum contact with the forest floor.
Read MoreAn essential read for anyone contemplating a solar passive building
Read MoreStudy model images of a new Solarity design.
Read MoreA brief rundown of the main elements we juggle when designing a solar passive building
Read MoreThe emphasis in this South-facing extension is on controlling overheating.
Read MoreThe simplest of the flowers of the field tracks the sun. So why don't we?
Read MoreAnatomy of a solar passive house. The Lounge, Dining and Kitchen areas are open-planned and have priority at the front of the house facing the sun. They are contained in a large bay structure here which is shaded from the summer sun by large roof overhangs. The ancillary accommodation is lined up behind the main living spaces with only the master bedroom 'peeping out' to get some south exposure.
Plan. This is a unique design in having level access throughout - i.e. no steps or stairs. The two elevated bedroom suites are accessed by curved ramps rising behind the main living space. There is a small office near the entrance. This plan has a 'cooling pool' to assist summer cooling, and broad roof overhangs in the solar direction to act like the brim of a hat and give solar shading. The challenge with most solar passive buildings even in temperate climates is mainly in cooling rather than heating.
Ground Floor Plan. The main living areas are in a tall single-story element which permits them to be larger or smaller when built according to a client's brief, and more easily extended later. The nominally flat roof over the Lounge/Dining areas has 300mm of insulation in the roof and 200mm to walls. The entire south-facing pitched roof is covered with solar photovoltaic panels.
Granny annexe and music studio additions to existing outbuildings. Built, but not in accordance with our drawings and not under our supervision. In memory of a wonderful and kind lady, Brenda, for whom we designed this extension.
First floor plan of northern block. Staircases were positioned for ease of extension into the roofspace. A loft bedroom was pre-planned and the lofts were structured to facilitate ease of later conversion. This was to facilitate residents extending rather than being obliged to move if they needed a third bedroom - a device intended to help village residents stay rather than move.
The idea here was that each house had a private courtyard garden with its Lounge front and centre to the garden court. The bounding walls of the courtyard later grew to 2m in height to make the courtyard garden a 'secret garden' - visually accessible to the house only.
Conygre House Competition. Mezzanine level plan. The gravelled and turfed mezzanine platform linked all of the parts of this house together with a circular 'garden' walkway above entrance courtyard level. "The horses and Land Rovers go down THERE, dear heart!" What was I thinking? I hate hunting and I hate Land Rovers.
Conygre House Competition. Plan of the upper levels of some of the 'standing stone' elements. This is an appallingly wasteful project from the embodied energy point of view. It is interesting as a signboard for what was to come after I 'woke' to climate change. This presages the curvilinear designs that came later.
Conygre House. Cross section. The main elements of the house were to be contained in huge 'standing stones' shapes containing the main accommodation. These were to be partially clad in Titanium or thin stainless steel with opening glazing set flush - so that they looked like polished metal stones set in a circle. The graphics are klunky. Heyho, who cares? The 'stones' were to be oriented to the centrepoint of the entrance court, and be linked by the elevated mezzanine walkway.